Film Analysis: Band Frontman Jason Williamson Takes On Role in Sceptical Examination at Ecstasy Generation Era

Produced by Bristol sound co-founder the musician-producer, this sharp-edged though undernourished first film turns a sceptical eye on the ecstasy-fueled club scene. Venal drug user David (Marc Bessant) initially steals from an passed-out supplier, then in another flashback tries to burgle his own parents. Before you can say, he's upside down in the wreckage of his car in a forest – and subject to the angry eye of the Poacher (vocalist Jason Williamson). Declining to free David, with impatience toward townies, he is a fractured society personified: “You’re one of those loud individuals from up on the heath.”

A Shaky Start and Grimly Amusing Confrontation

Game gets off to a shaky start, spending too long on meticulously detailing David’s attempt to extricate himself from his safety harness, while clumsily segueing into past scenes of his everyday life. The bigger point – that the rave-era youth were primarily out for number one – is clearly conveyed. But these brief episodes are insufficiently developed to properly prime us for what to expect when the Woodsman turns up, enraged after David kills his dog. Still, a grimly amusing duel takes hold – David eager to get away; the Woodsman denying his container of scrumpy, determined to dousing him instead in resentful talk. Williamson, exuding ponderous menace in the role, is reminiscent of Michael Smiley.

Visual Flair and Music Video Sensibility

Just a single important plot development, but it leads to a hilariously staged rampage on the woodland paths that dips close to folk horror. Director John Minton at last unleashes with his showy imagery: where he was hunkered down doing artful shots of bugs in headlights in the opening part, he now lets rip with the full lysergic grand display, accompanied by a wild organ version of Ravel’s Boléro. The movie resembles an extended promo than a complete narrative, but there’s enough bold visuals to suggest that Minton could emulate Jonathan Glazer, Garth Jennings and others into successfully graduating from the Brit music promo scene.

The film releases in British and Irish cinemas from 17 November.