Lena de Vries is een ervaren tuinarchitect met passie voor duurzaam groenontwerp.
A digital rights group has stated to have scraped millions of tracks from the popular streaming service and is getting ready to release them publicly.
Industry experts said the apparent data breach could boost AI companies looking for material to develop their models.
An entity known as Anna’s Archive reported it had obtained 86 million music files from the platform and 256 million entries of metadata such as performer and record names. The company, which hosts more than 100 million tracks, confirmed that the leak did not constitute its full inventory.
“We have located and deactivated the nefarious user accounts that were involved in illegal scraping,” stated a company spokesperson.
The Swedish service, which has more than 700 million subscribers worldwide, further explained that an investigation into unauthorized access identified a external actor scraped public metadata and used questionable tactics to circumvent DRM [digital rights management].
Spotify does not believe the music acquired by Anna’s Archive has been released yet. Anna’s Archive, which is known for providing links to copyright-infringing books, wrote in a blog it wanted to create a ‘historical repository’ for music.
They asserted the audio files accounted for 99.6% of all music streamed to by Spotify users and would be distributed via ‘peer-to-peer networks’, a method of sharing large digital files online.
“Naturally the service doesn’t have all the music in the world, but it’s a great start,” said Anna’s Archive, which frames its purpose as “preserving humanity’s knowledge and heritage”.
A composer and campaigner for defending artists’ copyright, said the leaked music would likely be used for training AI models.
“Training on pirated material is unfortunately common in the tech sector, so this accessed music is highly likely to be used instructing AI models,” he said.
The group's website alludes to LibGen, a vast online archive of pirated books that has allegedly been leveraged by the parent company of Facebook to develop its systems.
A founder of an artificial intelligence company posted on LinkedIn that members of the public could in principle “build their own personal free equivalent of Spotify”. He added it could also enable technology firms to “educate models on contemporary music at scale”.
Copyright has emerged as a key issue between artists, authors and content creators on one side and AI companies on the other.
Across Britain, creative professionals have raised concerns against a government proposal to let AI companies utilize protected work without consent unless the owner signals. Almost every participant to a government consultation on the idea has supported artists’ apprehensions.
A government minister for science, innovation and technology informed parliament this month there was “little consensus” on the issue, noting that ministers would “use the time to get this right”. The administration has pledged to make regulatory plans on AI and copyright by next year.
Lena de Vries is een ervaren tuinarchitect met passie voor duurzaam groenontwerp.